AF’s Weblog

February 7, 2012

Fender Modern Player Jazz Bass & Telecaster Bass Review

When I went to pick up these beauties at AudioFanzine’s editorial office, I asked myself how many Jazz and Precision basses I had already reviewed in my life as an editor. From Standard to Deluxe, Vintage, Special and Classic versions, from US to Mexican and Japanese, not to mention the Korean Series and Squier — Fender’s offer is very wide and almost confusing.

I actually decided to count them for you (and a little bit for me too) and here is the result: Fender’s catalog includes not less than 50 JB and PB versions (without taking the different finishes available for each model into account), but only two Jaguar and one single Mustang basses. Imagine going to a car dealer to buy a new car and having to choose from four dozen variations of the same car, a tricycle and a golf cart! Fender’s fidelity to its bass guitar classics is obvious. However, this review does reveal something new: first of all, although both basses feature the Fender label, their country of origin is China. Moreover, they don’t use their standard pickup combinations, which certainly is a very important point considering that both instruments got their name from their respective pickup sets. So let’s put our hands on this new Chinese girls!

A Bit of History…

In former reviews dedicated to Fender (60th Anniversary and American Specials series), I told you about Leo Fender’s story.

Fender Modern Player Jazz Bass

Let’s pick up from where we left off: we were in 1951, a very important year for us since it saw the consolidation of the Precision Bass as a successful instrument in the bass guitar market. Leo Fender had already understood that the success of an electric instrument relied on amplification, so he launched a bass combo in 1952 that was able to withstand the signal of the Precision Bass. This 35-watt amp was called Bassman. The success was almost immediate, especially among jazz musicians (Lionel Hampton’s orchestra was the first to include this instrument). In the meantime, pop and rock musicians would still prefer rockabilly-style double bass for several years. It’s interesting to mention that guitar players also loved the Bassman, mainly for its high output power.

And when it came to six-string guitar, Leo would listen to the needs of musicians for more sound versatility (the bright Telecaster sound isn’t for everyone) and improved ergonomics (the angular Telecaster body is not the most comfortable), and was about to present a new legend in 1954: theStratocaster. For this project, he worked with Freddy Tavares and Bill Carson starting in 1953. The shape of the Stratocaster was based on the ’53 Precision Bass whose roundness was in turn inspired by the design concept used by theautomobile industry in the 1950’s. The top of the body included a new bevel edge for the right arm, three pickups and a tremolo bar to compete with the Bigsby system introduced in 1952.

Fender Modern Player Precision Bass

Right away, the Stratocaster became a standard and still remains the most copied electric guitar to date. In 1957 came the turn for the Precision Bass to take the Stratocaster as a model: its shape was improved and the single coil replaced by the famous split-coil pickup still used today. In 1960, that is to say nine years after the launch of its first bass guitar, the manufacturer presented its last legendary instrument, the Deluxe Model which would be quickly renamed Jazz Bass. The neck is thinner at the nut than the Precision Bass, the shape of its body is inspired by the Jaguar and Jazzmaster developed a bit earlier. But it was mainly the pickup combination that made the personality of the Jazz Bass stand out: a pair of parallel single-coils using two coils for each string. The sound was tighter than that of the Precision, because the main asset in those days was to avoid damaging the low-quality speakers of bass amps. This particular sound would become later a real signature thanks to great musicians like Jaco Pastorius and, of course, Larry Graham. By the way, while doing my research for this review, I found a classified ad that could be of interest for rich fans of Jaco. After all, even bass players can win the lottery!

China is The Place To Be

Until now, Chinese manufacturing was limited to Fender’s main sub-brand Squier. With the Modern Player series, and following the success of the recent Squier Vintage Modified series, the “Made in China” label enters Fender’s catalog. A new production line is born — a new challenge for the brand, because Chinese manufacturing of musical instruments isn’t well received by demanding musicians. And to fight this prejudice, Fender will have to be convincing…

Now let’s take a closer look…

Conclusion

Personally, I find these new Fender bass guitars under $600 really appealing, especially the blonde one. If I had the money, I would buy and upgrade it with a pair of Darkstar pickups and a Badass bridge, just for fun. That’s the reason why I assert that Chinese people are beautiful (easy for me to say since part of my family comes from Guandong) and that they always make everything better! And this is proven by the intrinsic value of the two bass guitars we reviewed today! The value for money is amazing and you get more than only standard features. In short, a fresh concept showing respect for tradition.

Advantages: 
  • Finish
  • Original and powerful pickup sets
  • Neck playability
  • We like new things
Drawbacks:
  • Gig bag = Cardboard box. Every time a bass guitar is sold in a cardboard box, a fairy disappears…
  • Slight level difference between both Telecaster pickups

To read the full detailed article see:  Fender Modern Player Jazz Bass & Telecaster Bass Review

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