AF’s Weblog

March 5, 2012

Propellerhead Reason 6 Review

Each new Reason version brings a bunch of surprises with itself, meeting some of the demands of its users. Here you have the new features Propellerhead added to Reason 6.

Like every other serious piece of software, Reason has been updated many times since its launch back in 2000. Each update has brought improvements, bug fixes (plenty compared to other DAWs) and new features, especially in terms of modular elements. Version 2.0 (2002) introduced the Malmström and NN-XT, version 2.5 (2003) included three new effects (Scream 4, RV7000, BV512) and two routers (Spider Audio and CV). Version 3.0 (2005) added the MClass Mastering Suite and the Combinator. More recently, version 4 (2007) impressed the audio world with Thor (an excellent polyphonic synth that combines different sound synthesis technologies), as well as ReGroove and RGP-8. Finally, version 5 (2010) included instruments like Kong and Dr. Octorex (full review here).

As you can see, each new version provided real new features (and we only mentioned Reason’s virtual instruments, effects and routers), making the sequencer and its standalone virtual rack more powerful every time. However it never quite fulfilled the demands of some users (the others are really satisfied with the current features) in terms of audio recording and external plug-in support. The real audio sampling feature of Reason 5 was seen as a sign for the upcoming addition of audio data management features, especially considering that Propellerhead had already proved to have the skills for multitrack audio recording with the introduction of Record in 2009.

Finally the time has come! In version 6, Propellerhead combined the two software programs and added some other functions and elements. Detailed overview.

Introducing Propellerhead Reason 6

Propellerhead Reason 6

Reason 6 is sold in a box including a DVD, the Ignition Key (containing the authorization key for the program) and some other documents. Unfortunately, I can’t give you more details because I received Reason as a download (3.68 GB) for the review. The installer still includes a Reason folder to be copy-pasted into the Applications folder (on a Mac). This folder includes the documentation (the printed version disappeared with Reason 5), the application itself and two Refills required to use Reason (Factory Sound Bank and Orkester).

Test system
MacPro Xeon 3.2 GHz
MacBookPro i7 2.3 GHz
OS 10.6.8
Reason 6.0.2
Reason Essentials 1.0.2
Balance

The online authorization process uses the Ignition key and the Authorizer server. Since version 4, it is not possible to use all Reason features without this key anymore, which isn’t good. Instead of a proprietary key (which means one USB port less), the manufacturer could use a Syncrosoft/Steinberg-like key, an iLok or nothing at all, which would be better…

However, Propellerhead allows you to use all features in Reason without the key if you have an Internet connection and have previously registered the product on their website. Or you can use the Demo mode, which allows you to record and save your songs but not to open them.

Besides combining the features of the two software packages —which means adding to Reason the multitrack recording capabilities and some modular elements (Neptune, ID-8, Line-6 models) from Record—, the manufacturer also added three new effects (Pulveriser Demolition, The Echo Delay and Alligator Filtered Gate), enlarged the content of the factory bank, implemented Record’s mixing console (presented as an SSL 9000K emulation), and introduced 64-bit support (also for ReWire) as well as other improvements.

Now let’s take a closer look…

Conclusion

Like every new release, this Reason version brings a lot of new features with itself — and we must point out that Propellerhead really pampers its users with this 6th version. To have a multitrack recorder within a reliable, familiar, powerful and stable environment is a huge advantage. All the more considering that it compromises nothing in terms of philosophy and ease-of-use. The new modules (Alligator, Pulveriser and The Echo) are without a doubt on the same level as their predecessors.

To wrap it up, Propellerhead has struck a decisive blow once again. We could even expect them to exchange technologies with other manufacturers —like UA does with other famous brands—, not to add plug-in formats that would make Reason less reliable (don’t forget that this piece of software is a paradigm of stability), but to bring together different skills to improve this closed environment that keeps on getting better and better every time.

Advantages: 
  • Original philosophy unchanged
  • Ergonomics
  • Stability
  • More standalone every time
  • All the power of Record within Reason
  • Internal audio inputs management per channel
  • Powerful new modules
  • More CV connections…
  • We finally get a real mixing console
  • 64 bit audio summing
  • Creative and powerful Pulveriser module
  • Original Alligator module
  • Alligator’s pattern and manual control systems
  • The Echo, a powerful delay
  • Analog-like behavior
  • Ducking function in The Echo
  • Dry/Wet balance in all three modules
  • Comprehensive manual with search engine and hyperlinks
Drawbacks:
  • No possibility to change the level meter display in the tracks
  • No drag-and-drop audio import
  • Different quality and performance of the time-stretching tool
  • Always more difficult to use with only one screen, specially if you have a notebook
  • I missed the possibility to choose form several distortions/saturations in Pulveriser and Alligator
  • Not enough vertical zoom in the sequencer window
  • Proprietary Ignition key: one USB port less…

To read the full detailed article with sound samples see:  Reason 6 Review

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December 20, 2010

Propellerhead Reason 5 Review

What features does the fifth version of the historical Propellerhead software have to offer? Overview.

We won’t retell the full Reason story, but we must acknowledge that Propellerhead shows an impressive consistency in the sense that they never derailed from their original philosophy: provide a standalone application that doesn’t allow the integration of third-party software (however open to the outside world via ReWire) and provides almost anything you need to produce electronic music.

The launch of Record (review to come) reinforces Reason’s position: instead of importing audio recordings into Reason, they can be embedded into Record, which is meant to remedy Reason’s “deficiencies.”

The fifth version of the virtual studio includes virtual synths, samplers, effects, etc., as well as some improvements and new features. Let’s have a look.

Introducing Reason 5

Propellerhead Reason 5

Reason 5 comes in a box including a DVD, a quick start guide (no printed user’s manual but an HTML help instead…) and a sheet of paper with the license and registration numbers required to activate the software and have access to updates. Note: it’s a good thing that the manufacturer tries to save paper not providing too many printed documents. But if that’s case, why do they deliver the product in such a big cardboard box? Considering the number of products sold, isn’t it a big waste of paper? I don’t really get it…

There’s no need to comment on the installation: everything is clear enough so anyone can open their first project after just fifteen clicks or so.

Powerful Sampler

Propellerhead Reason 5

Each new version brings with itself some graphic and useful improvements. On the top of the rack, you’ll find four buttons to open/close advanced audio and Midi parameters, as well as a Big Meter that can be set as a VU, PPM, Peak, VU+Peak, or PPM+Peak meter with in/out channel selection. Yes, indeed: Reason 5 finally supports audio, not for track recording like a sequencer but for making its samplers “real” samplers. Actually, many manufacturers misuse language when they state that their sample players/editors are real samplers — regardless of the incredible possibilities they provide.

It’s different at Propellerhead: with this new version, the NN-XT, NN19, Redrum and Kong (new module, see below) can record audio from any input or directly from one of the rack modules, with independent monitoring of the incoming signal. You can even route audio data directly within the computer, using Soundflower, for example (you can also create a loop with the audio card but it’s not that practical). The ability to sample the modules could inspire many manufacturers to use Reason’s possibilities to create sample banks from its very versatile instruments. Not that this wasn’t possible before, but you needed ReWire, external editors, etc.

Propellerhead Reason 5

Now it all happens inside. Select the input or the module by routing it to the sampling input on the rear side of the rack, click the waveform button (or use the tools window) and it will start recording immediately. By the way, a control to start recording manually would be much appreciated. We can imagine some extreme setups, considering that Sampling supports any stereo signal: you can rig modules and get the signal out of the main out (or the sends) of a mixer connected to several mixers, etc. So the internal possibilities are actually… endless. Once the signal has been recorded, click the Edit button to open the integrated sample editor.

Propellerhead Reason 5

Waveform display, selection, loop options, crop, normalize, invert, fade in/out and three play modes (normal, loop, forward/backward loop): only basic features (you feel like using a good old hardware sampler) but it’s enough to prepare a sample. Afterwards, you can make all resynthesis editing in any module, in which case the samples become available for all compatible instruments — including the outside world (AU, VST, etc.). Although the samples are saved by default with the actual song, you can export them to any WAV compatible tool.

Now let’s take a closer look…

Conclusion

The main advantage this version has to offer is the introduction of real sampling within the program and in all modules that deal with audio data. Hats off Propellerhead! This will hopefully have some impact among competitors. However, we also hope for an update (or a future version?) with a more sophisticated sample editor providing more features.

When it comes to new modules, Dr Octorex is very disappointing, considering that it cannot play several loops simultaneously; but, on the other hand, Kong does a very good job if you keep in mind that Reason is a software tool dedicated primarily to electronic music production. We still miss the possibility to have real pads of four layers each.

Regarding all other new features, the development team has been proving its mastery for years, and Reason 5 takes full advantage of this fact — just like all its predecessors. In short, if you want to record samples directly into a module to use them immediately, or if you want a powerful instrument dedicated to drum sound design, Reason 5 is the tool for you. If you are still hesitant, the manufacturer offers a free demo version so you can try it out.

Advantages:

  • Sampling embedded directly into the modules
  • Integrated sample editing
  • Kong module
  • Many drum samples
  • Three different sound synthesis engines in Kong
  • Dr OctoRex module
  • Improved editing
  • Possibility to export the samples recorded
  • Multicore support
  • Blocks
  • Multitrack Midi recording
  • HTML help

Drawbacks:

  • No simultaneous Rex loop playback in Dr OctoRex
  • No real four-layer pads
  • Snare drum PM and bass drum PM modules not very convincing
  • Sample recording cannot be triggered manually
  • No printed manual
  • Still no 64-bit Rewire

To read the full detailed article with sound samples see:  Reason 5 Review

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