AF’s Weblog

July 2, 2012

Fender Super Champ X2 Review

To read the full detailed review with sound samples see:  Fender Super Champ X2

In the world of guitar amps, war is raging. The transistor forces from the digital world are fighting the tubes army. Turning itself into a peace dove, Fender tries to put an end to this war by introducing a hybrid concept: the Super Champ X2. This new amp made in Mexico combines digital technology with tubes has finally seen the light of day. It’s on neutral ground so I can start examining the beast. Hopefully this leads to a peaceful co-existence.

What a Cute Combo

Fender Super Champ X2

I thought I would break my back carrying this new amp. But surprise, surprise, the newcomer is light (considering it’s an amp!), so I was able to climb up the stairs carrying it single-handedly. Aesthetically, it is very Fender looking: black vinyl covering and silver grill cloth with Fender logo. The front panel in Blackface style is not what I’d call original, but it still looks very nice. Manufactured from 1964 to 1967, the Blackface is part of Fender’s legend. Insiders will understand that I refer to the Princeton Reverb, Deluxe Reverb and Vibro champ. The dimensions are somewhat small (9.2″ x 17.5″ x 15″) and the weight reasonable (24 lbs). It will match a vintage environment perfectly. Under the hood, you’ll find all you need to have a blast! You get a pair of 6V6 power tubes for a total output power of 12 watts, one 12AX7 tube in the preamp stage and several transformers matching the tubes. The speaker is a 10” Fender Special Design allowing the combo to stay compact.

Too Much for Beginners?

Doctor J.’s minute!

Vibratone? This effect was conceived in 1941 by Donald Leslie. The Leslie cabinet (better known as Leslie Rotary Speaker) includes its own tube amplifier. A Leslie amplifies the signal and sends it to the speakers. The sound of the low-frequency speaker is sent to a closed baffle through a rotating drum while the sound of the high-frequency driver is sent to a rotary horn. This speaker cabinet creates interesting sound modulations. The source seems to move forwards and also from left to right alternatively while the loudness varies.

One of my worries with digital technology is that you have to turn and push a lot of different controls and you can’t understand anything without the user’s manual. But don’t fear this Super Champ X2: it provides only a few, easy-to-understand controls. The amp provides two separate channels based either on tube or digital technology. Both channels share the EQ section with Treble and Bass controls, the FX selector, the Tap Tempo switch, and the FX Adjust control. Each channel has its own volume control. Plus, there’s a channel selector and a 16-way Voice selector. The rear panel is even more simple: a mains power socket with On/Off switch and fuse. You also get a speaker out, a line out, a footswitch connector (unfortunately, a matching footswitch is not provided), and a USB port. When it comes to effects, we’ve been spoiled: Reverb (Large Room, Concert Hall, spring reverb, delayed reverb), Delay (130 or 300ms), Chorus (fast sweeping, deep sweeping, chorus+delay, chorus+reverb), Tremolo (slow, normal or fast speed), Vibratone (slow or fast speed).

Now let’s take a closer look…

….

Nobel Peace Prize?

The Super Champ X2 is a nice surprise. The amp models sound very good, the tube power amp adds natural warmth and compression to your tone, and you get a dedicated, easy-to-use software. Considering the wide range of amps provided, you’ll easily find your own tone, regardless of your playing style (blues, rock, ska, metal, etc.). Unfortunately, the output power (15 watts) won’t allow you to use the amp in all situations. It’s perfect for playing at home or in a recording studio, but it’s not powerful enough for rehearsals if you have to compete with a drummer. Fender won its bet with this small combo sold for $300 — and this small jewel is also available as an amp head for $250. Unfortunately, the matching footswitch is not included…

Advantages: 
  • Compact size
  • Weight
  • Voicings
  • Effects
  • Tube power stage
Drawbacks:
  • A mid setting on the front panel would be nice!
  • We wish there was a version with more output power
  • Footswitch not included…

To read the full detailed review with sound samples see:  Fender Super Champ X2

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June 11, 2012

Fender Machete Review

To read the full detailed article with sound samples see:  Fender Machete Review

The Fender Machete represents a new direction for the manufacturer. It’s not like they want to start to making cutlery but rather they want to enter the heavy distortion world. This strategical decision caused many reactions in the guitar world. So, with mixed feelings I leave the sandy roads and whiskey smell of Mississippi to enter the country of tattooed, long-haired musicians.

A Weapon for the Strong!

Fender Machete

I receive the weapon under seal. It hardly fits the trunk of my car with the rear seats folded (for insiders, the JeyMobile looks a lot like the GarthMobile). I come to my place of destination and ask for help to take the cardboard box out of my car because it’s twice as large as me… Right after unpacking you’ll discover that the amp is much smaller than the box (big foam protections inside!) but still not lighter. The physical specs: 24.5″ x 11.5″ x 22″ and 71 lbs. The manufacturer had mercy on us and decided to add clipable casters so we won’t break our backs when transporting the amp. The two-color combo is protected by a black vinyl covering with white edging and a center stripe in the style of a roadster steering wheel. The front plate is made out of black steel and offers nice-looking, brushed-aluminum Telecaster knobs. The overall roadster look is faithful but it might not be everyone’s favorite.

Swiss-Army Knife or a Classic?

Fender Machete

Let’s have a brief tech talk. Under the hood you’ll find five 7025 tubes (also called 12AX7), a pair of 6L6GC and a 12″ Celestion Vintage 30 speaker that matches the roadster look perfectly. The front and rear panel are fully packed. The engine offers two separate channels with Gain, Volume, Bass, Mid, Treble, and Notch controls each. The front panel also includes three selectors: a 6dB pad (for active pickups), a channel switch and a speaker damping selector (damping is the interaction between power tubes and speaker). Finally, the amp offers one reverb for both channels. A small disappointment is that the reverb is not a tube but a digital one…

Fender Machete

On the rear you have Power and Standby switches, an effect loop with send and return level controls, a line output on XLR connector, MIDI in, footswitch connector, and a pair of speaker outs with impedance selector, as well as a pair of PA Mute (mutes the power amp) and Cab Emul (adds the speaker emulation to the line out) mini-switches. The included footswitch provides four options for channel selection, gain boost (ch.1), FX loop, and reverb. It is equipped with two connectors: one for the amp and a second one to chain an additional Machete footswitch (can be useful on large stages). Something tells me it’s time to plug my axe now.

Let’s take a closer look and a listen…

Happy?

Fender’s goal was to offer an aggressive sounding combo to the tattooed, hairy metal community and they have succeeded! The amp is sturdy, so it can be taken on stage and to the studio or stay at home. Moreover, it offers a wide range of clean sounds plus everything from crunch to heavy distortion, while the Notch control allows you to fine-tune your tone. Unfortunately, the amp’s street price of around $1,900 is quite high. Quality has a price, and if you like it, you’ll pay for it…

Advantages: 
  • The sound!
  • Both channels
  • Notch control
  • Reverb
  • FX loop
  • Damping control
  • Footswitch provided
Drawbacks:
  • Price
  • Weight

To read the full detailed article with sound samples see:  Fender Machete Review

March 1, 2012

Yamaha THR10 Travel Amp Review

Filed under: Amps — Tags: , , , , , , , , — audiofanzine @ 9:22 am

Yamaha’s new amplifier range now includes a brand new product: the THR10. It looks like a standard compact amp head. But in fact, this product holds some surprises…

Yamaha THR10

It weights 6.2 lb and has the following dimensions: 14.2″ x 7.2″ x 5.5″. Its cream finish and metal housing with vintage-style knobs give the THR10 an old-school touch although the amp design is definitely modern. The effects hosted in this small amp are based on Yamaha’s VCM modeling technology (Virtual Circuitry Modeling) you’ll find in many other products of the brand. The goal of this technology is to reproduce the behavior of old analog circuits to produce a classic warm sound.

The sleek design of this amp is ideal for musicians who are looking for a simple but effective tool.

Baby let’s play house!

Yamaha THR10

The amp is provided with an external 100/240V (50/60Hz) power supply and some accessories including a comprehensive product manual with lots of images, a USB2 cable to connect to a Mac/PC, and a stereo minijack in/out to connect the amp to a recorder (MD, MP3, etc.). If you want to record your guitar with your Mac/PC, Steinberg’s sequencer Cubase Al is provided for free on the DVD-ROM.

The rear panel of the THR10 includes a DC IN connector for the external PSU and a USB port to communicate with your computer. Later on we’ll tell you about the settings provided by the THR interface. The front panel is a perforated metal grill with stripes that protects two 5-watt speakers. So the “head” can be used alone without the need of an additional speaker. Sweet! The four screws on the front panel contribute to the sleek and classy look of the amp. All settings and tuner LEDs are placed in front of the handle, making access to all features of this small sound machine easier.

Yamaha THR10

Setting up the THR10 is almost “plug and play.” After powering on the device, a soft orange light (recalling the lights of tubes in standard amps) shines through the stripes of the perforated grill. The amp is equipped with Yamaha’s new “Extended Stereo Technology,” which offers a wider stereo image by simulating a greater separation between both speakers. This feature can be disabled with the TAP/TUNER key.

Now let’s take a closer look…

Conclusion

This small amp surprised us with its compact size and good sound quality. The THR10 meets the needs of both beginners and experienced guitar players looking for a small practice amp. Thanks to its design and sturdiness, you can use this amp at home or even outdoors with batteries. We couldn’t test the battery runtime but the manufacturer states an estimate of 6-7 hours of operation. The price is a bit high, but the product is really appealing.

Advantages: 
  • Great vintage design
  • Light weight and compact size
  • Very good overall sound
  • Internal tuner and effects
  • Manufacturing quality
  • Battery operation
  • Integrated USB audio interface
  • AUX input for play-along applications
Drawbacks:
  • A bit expensive
  • ACO mode is a bit disappointing
  • EQ sometimes ineffective

To read the full detailed review see:  Yamaha THR10 Travel Amp Review

January 5, 2012

Hiwatt T20 Review

Hiwatt has launched its tube series, a full range of compact amps presented as offering the typical British sound of their legendary brothers in spite of their small dimensions and their more affordable price. You can currently choose between three different output powers: 40, 20 or 10 watts. Every amp is available as a combo or head. Let’s check out if their bet is successful by reviewing the T20 combo.

Hiwatt to Know More

Hiwatt T20

From a technical standpoint, the T20 is based on a pair of EL84 power tubes plus two 12AX7 and one 12AU7 preamp tubes. The amp provides you with two channels (clean and overdrive) switchable via the dual footswitch provided (OD/clean and Reverb on/off). You can also select the active channel from the front panel, which also offers a gain control for each channel plus a master control (meaning there is no dedicated output level setting for each channel). The 3-band EQ is shared by both channels. Notice that the mid-band control is a push-pull potentiometer allowing you to shift the mid boost towards higher frequencies. This can be quite useful, for instance to have a slightly brighter sound when recording lead parts. The front panel also features a reverb level control and a couple of Standby and Power switches… and that’s it with the front panel! On the rear panel you have a connector for the dual footswitch (channel selection & reverb on/off), a line out (to feed a mixer or a power amp with the T20 preamp signal), and an 8-Ohm speaker out. This way, you have the possibility to use the T20 as an amp head feeding an external speaker cabinet. The 12″ speaker in the T20 is a Fane Medusa 150. Hiwatt has been using Fane speakers for almost 40 years…

As a summary, the T20 has all features of an amp conceived for recording applications, for playing at home, and for gigs in small clubs. I tried out the T20 with three different guitars: a Les Paul Custom, a Tom Anderson Strat and a Gretsch Billy Bo.

Now let’s take a closer look and a listen…

Conclusion

The T20 is a very good tool! You get the typical Hiwatt sound in a compact and easily transportable amp (only 35 lbs). Ideal for playing at home, small club gigs (unfortunately not in larger venues) and especially for recording applications… As a summary, this amp offers you an amazing and versatile clean channel and a (too) typical lead channel that you should consider as an extra. For about $625 (street price), it is the ideal choice for a first high-quality amp or for a professional musician who wants to add another sound to his tone palette. For about $100 less you can get the T20 amp head, and for about $200 more, the T40, which will allow you to play on larger stages while having the possibility of reducing the power to 20 watts via a simple switch on the front panel. Yeah!

Technical notes:

The sound samples were recorded with a Shure SM57 in front of the speaker and a Brauner Phantom V as room mic (about 6 ft from the amp). Both mics were connected to a MOTU 896 audio interface. No audio processing was used on the recordings, except for a 120Hz low-cut filter on some distortion sounds.

The other AF samples were recorded with a Shure SM57 and a Sennheiser e906 in front of the speaker.

Advantages: 
  • Clean sound
  • Legendary sound in a transportable format
  • Right output level for recording applications
Drawbacks:
  • Very peculiar distortion
  • No FX loop (…is this actually a con?)

To read the full detailed article with sound samples see:  Hiwatt T20 Review

 

 

September 20, 2010

Fender Super-Sonic 22 Combo Review

In 2006, we saw the new Fender amps, dubbed Super-Sonic, with 60 watts under the hood and available in head or combo version. In 2010 we see a combo version of 22 Watts, sharing characteristics of its older brother. It sounds very clean and Fendery, with also saturated and high gain tones as well. Focus on the Super-Sonic Combo 22 today…

Fender Super-Sonic 22 Combo

Fender amps are known and recognized for their clean sounds, sometimes bright with models like the Vibrolux, sometimes warm and full with other references, like the famous Bassman.  But for heavily distorted sounds, the story is different, and guitarists are often forced to resort to overdrive or distortion pedals in order to saturate an amplifier lacking a real overdrive channel.  So we could have just stopped there and continued to adore the clean Fender amp sounds and happily connect our pedals to make some noise. But Fender wished otherwise, launching the Super-Sonic series, whose main goal is to offer both clean sounds worthy of their greatest signature amps, and overdriven sounds, very overdriven tones to please biggest fans of sturdier sounds.

The going fashion is to have low power (relative) tube amps.  Fender is spoiling us with a version a bit quieter than the previous 60 Watts. The Super-Sonic has 22 watts under the hood, and is available in two finishes, black or blonde (cream).  We received the black version for this review, but we would have preferred the iconic 1961 blond treatment, which matches better with the cream plastic knobs.  But it’s not too bad, the black version is still very nice…

We Unpack

Fender Super-Sonic 22 Combo

The combo is made of birch/maple plywood 1.9 cm thick and has the following measurements: 21.6 x 61 x 44.1 cm and measures 18.2 kg on the scale, which is quite reasonable without making a traveler’s amp out of it!  The look of the amp is very classic, with the old school script metal logo, the ivory ‘radio’ knobs and the large red LED on switch.  The grille cloth covering is black vinyl on the blond version, and gray on the black versions. The “Dog Bone” handle on the top of the amp is plastic, but looks very solid, and metal reinforcements are placed at the bottom four corners of the amp cabinet.   Everything looks good to handle things down the road and finish is impeccable.  In the box we are provided in addition to instructions, diagrams showing the guts of the amp. The latter, for sure will be the conversation topic at your next dinner party….guaranteed!   The icing on the cake: a nylon cover is provided to protect your precious from dust- classy!

Under the hood, we find no fewer than five lamps for preamp section:  three 12AX7 and two 12AT7, and two 6V6 power tubes for the amplification (modeled on the Deluxe Reverb). The lamps are protected by a gate at the back of the amp, just above the 12 inches (31 cm) speaker, a “Lightning Bolt” model by Eminence.

Let’s see what the Super-Sonic offers us now in terms of settings and connections …

Conclusion

For about $1400, Fender offers us a 22 Watts all tube amp of flawless quality.  The look is very successful and it has ample power to play quietly in groups.   The clean sounds are typically Fender for our delight, the crunch sounds are not standing still, and we have a real distorted channel, to top it all off.   Add to that an effects loop, Fender long-spring Reverb by Accutronics®, robust and complete pedals and a protective cover, and you get a receiver complete and flawless.  We only lament the price and weight, both a bit high for a 22 Watts. But when you get this sound, we are ready to make such concessions!

Fender Super-Sonic 22 Combo
Advantages:
  • Quality Manufacturing
  • Successful Look
  • Available in two finishes
  • Signature Fender clean sounds
  • Some very interesting crunch tones
  • A true saturated channel, ready to rock
  • Accutronics spring reverb
  • Adequate power for group play
  • Boost on the clean channel
  • Pedal 4 switches very robustly
  • Eminence Speakers

Drawbacks:

  • A 22 Watts at $1400
  • Moderately heavy and bulky for a 22 Watt
  • Not suitable for extreme metal
  • Heavily saturated tube distortion and sustain

To read the full detailed articles with sound samples see:  Fender Super-Sonic 22 Review

June 23, 2010

Vox AC15VR Valve Reactor Combo Amp Review

Filed under: Amps — Tags: , , , , , , , , , , — audiofanzine @ 2:31 pm

A few years ago, Vox launched their legendary AC30 as an amp head or as a combo, all made in China at an affordable price. This year, VOX is spoiling us with a hybrid series, using a special amplification technology mixing transistors and tube. This 15 Watts model is what’s on the menu for today.

Hybrid Technology

Vox AC15VREveryone has heard of Marshall’s hybrid series (Valvestate) or Fender’s. It was often a mix between a transistor amplifier and a 12AX7 tube as a preamplifier.  This technique allowed them to smooth out a little transistor stiffness and also to allow these amps to properly take on the pedals’ full power. (reminds me of my Marshall 8080 First series).

VOX uses here a different technology in the VR series: The preamp section is provided by transistors and the op-amp, while the amplifying part is based on a single 12AX7! What ?!  This can’t be right!   I admit, I myself second guessed this specification, but it is correct and verified.  It is the same technology that was used in the Valvetronix series. This “amplification” tube has even been renamed “Valve Reactor” for the occasion.

Explanation: A 12AX7 tube is a dual triode, which is present in the circuitry only to give color to the sound. It is then connected to a solid state power amplifier where the transistor amplifier is more powerful and neutral than the tube amplifier. The tube therefore serves to color the signal, the bulk of the amplification being provided by the transistors.

Autopsy

Vox AC15VR

The amp features separate channels: a clear controlled by the “normal volume” and a channel focused more crunch / distortion with two gain levels (OD1 and OD2). The “master” section includes the overall volume of the amp. It is best to adjust the volume of the channel used to get the desired sound (gain level) and then raise the master meter to increase the general level, being careful not to push too hard, otherwise saturation is inevitable (but if you want to, go ahead!). In this same section, there is also a digital reverb that quickly becomes rough when you push a little volume. But it is enough to give a little life to clean sound if you do not exceed 9 o’clock on the dial. You can manually engage it the by raising the potentiometer or by using the optional foot switch. The latter also allows you to switch between channels.

The VOX AC 15VR is equipped with a two band equalizer bass / treble, like almost all VOX amps if I remember correctly. Pushing the bass potentiometer, it overwrites the signal to unravel the inherent charm of VOX amps. Try the setting Palm Mute pushed, and you’ll understand. As for the treble, the sound tends to become a little aggressive after 12 o’clock both on its clean and distortion channels.

Vox AC15VRWe notice a control panel that runs essentially unadorned or without any funky colors.  But don’t laugh at VOX, in this model there is no amp simulation, no useless effects, no loops effects, no direct output. You just plug and play!

On the rear panel, it is possible to connect an external speaker to the amplifier and to bypass the internal speaker.  Be careful to respect the 8 Ohms impedance and perform the operation when the amplifier is off!

Conclusion

Vox AC15VRTo conclude, this little amp found for less than $400 in the USA, is sufficient for guitarists who want to play at home with the master volume that can push the gain without making enemies in the neighborhood.  It has no Speaker output, but output to an external cabinet is possible. We appreciate the ease of use, the little time it takes to find good quality sound.  In short, unless you hate the sound philosophy and VOX itself you can buy it with your eyes closed.

Advantages:

  • Good value for the money
  • Construction Quality
  • Nice crunch
  • Output to connect another Speaker

Drawbacks:

  • A little heavy for a 15 Watt
  • The overdrive type 2 too dirty
  • Channel switching not very smooth

To read the full detailed review see:  Vox AC15VR Combo Amp

April 28, 2010

Blackstar Amplification HT Club 40 Review

British amp and stompbox manufacturer Blackstar is known among guitar players for its Artisan Series of hand-wired amps that crunch, and its One Series, a line of hi-gain models for metal freaks. The brand is back this year with a new range of tube amps called HT Venue which ought to be less expensive but still versatile. We focus on the 40 watt combo.

Blackstar HT Club 40Blackstar was founded in 2007 when former Marshall employees decided to create their own tube amp brand. They started out by launching tube overdrive stompboxes followed soon afterwards by amps conceived in England and hand-assembled in Korea (the Artisan Series). The One Series came out one year later with a more modern sound and a much higher headroom. The only thing missing to round off its product range was a more affordable product line. This is what they have achieved with the HT Venue Series, which inherits some of the features of the more expensive series and benefits from the know-how of the Blackstar team.

This Series includes not less than six amps ranging from 20 to 100 watts including combos, amp heads and speaker cabinets. The model we review today is the HT Club 40, an all-tube, 40-watt combo sold for about $700.

Let’s start by unpacking the amp…

Dark Valvor

Blackstar HT Club 40The HT Club 40 is a juicy 53.8 lbs, 24.4″x22.3″x11.7″ baby. Under the hood you’ll find a preamp stage with two ECC83 tubes, a 40-watt RMS power amp with a pair of EL34 and a 12″ Celestion speaker. The finish is quite good with plastic knobs and on/off and standby chrome switches. The handle on top and the dark gray cabinet covering are made out of leather. The amp looks very classy but without overdoing it, which will certainly appeal to most guitar players. The amp sits in a three quarter-closed back cabinet, whose open part is protected by a grill. The HT Club 40 seems quite sturdy and it ought to withstand transportation without a problem.

The connections include a guitar input and three speaker outputs on the rear panel: one 16-ohm output for the internal or an external speaker, plus two additional speaker outputs for a pair of 16-ohm speakers (internal+external or a pair of external speakers) or a single 8-ohm speaker cabinet. Besides these connectors, you’ll also find an input for the included footswitch (nice detail!) for channel selection and reverb activation. It also features an output with speaker simulation for direct connection to a mixer or a sound card. The sound of the speaker simulation is not the best but it adds versatility and it will certainly come in handy at times. The integrated digital reverb has a selector to choose between a bright and a warm/dark effect sound. The effect won’t replace your stompbox or dedicated rack processor but it is more than enough for rehearsals.

Last but not least, a mono FX loop with a +4dBu/-10dBV switch will allow you to connect external effect units to the amp.

Let’s take a look at the preamp settings…

Conclusion

Blackstar HT Club 40With the HT Series, Blackstar offers quality amps with versatile sound possibilities at an affordable price. The manufacturing quality is good and the special features offer the user some major advantages. The different voicings provide four basic sounds, while the ISF control affects the EQ settings of the lead channel radically, allowing the guitar player to easily and quickly shape his sound. Add enough output power to play with a band plus the footswitch that comes along and you end up with a versatile and affordable all-tube amp.

Advantages:

  • Good value for money
  • Two voicings per channel
  • Effective and creative ISF control
  • Footswitch included
  • Versatility
  • Enough power to play with a band

Drawback:

  • Clean sound could have more personality

To read the full detailed article see:  Blackstar HT Club 40 Review

June 9, 2009

Bogner Alchemist Amplifier: The Test

Filed under: Amps — Tags: , , , , , , , , , — audiofanzine @ 6:41 am

Even from childhood, in his native Germany, Reinhold Bogner was already skillfully wielding his soldering iron to create his own guitar amplifiers. After he moved to Los Angeles, his models and amp modifications began to attract famous names from the six-string world including Steve Vai, Steve Stevens, and Eddie Van Halen. So when it was announced that he was putting out an amp made in Line6’s factories that would cost less than $1500, it made a big noise.

This new model, called the Alchemist, a handsome-looking 40W tube-amp, is exactly what we’ll be testing. It comes in three models: two combos: the first equipped with a 12-inch loudspeaker and the second with two different 12-inch speakers; and an amp head + 2×12 cabinet. This review is about the 2×12 combo model.

It’s pretty bulky, (two 12-inch speakers take up a bit of space!) heavy (80 lbs), and has a very nice neo-vintage look to it. Everything looks solid and ready to take a beating. Even though it’s manufactured in Line6’s shops, it’s still a Bogner! Other more expensive models of the brand therefore become “Custom Shop” class. As for looks and finish, the grid, the logo, knobs and small diodes all look well made and give the amp a respectable look. Everything about the amp exudes the quality of the brand.

But let’s see if the Alchemist can really transform lead into gold …

Conclusion
Bogner set out to make an accessible amp and it seems he’s succeeded. We are in the presence of an amplifier that costs less than $1500 (for the 2×12 model) with two channels with very different personalities and two speakers that considerably expand its sonic palette. Add to that a small neo-vintage look, a clean sound that crunches as it should and a fat distorted tone and you get an amp that’s built to please.

Of course, those who love to complain will say that it weighs a ton, that you’ll need tweezers to tweak the tiny switches, and that it’s impossible to get a modern shred-like distortion tone out of it. They wouldn’t be wrong. But the Alchemist has personality, and that means it probably won’t please everyone … But what guitar amp does?

The pluses:

  • A Bogner for less than $1500!
  • Manufacturing Quality
  • Good clean/crunch sounds
  • Two different speakers
  • A wide range of tone possibilities
  • The choice of 40 or 20 watts
  • The look
  • Quality of the reverb and delay

Disadvantages:

  • Not easy to carry: heavy and bulky
  • Switches: small and not easy to get to
  • Distortion sounds that won’t appeal to everyone!

To read the full detailed article with inside photos and exclusive sound samples see:  Bogner Alchemist Review

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