AF’s Weblog

March 29, 2012

Arturia Oberheim SEM V Review

To read the full detailed article with sound samples see:  Arturia Oberheim SEM V Review

Arturia has been launching a myriad of products since early 2012. Among the new products you’ll find an Oberheim SEM emulation with new custom features. Let’s have a look at the beast…

Something is for sure: Arturia’s team never stops working! They are constantly updating their existing products and have launched Analog Experience, Oberheim SEM V and MiniBrute in a very short time. The Oberheim is the latest addition to the series of legendary synth emulation plug-ins that started in 2003 with the Moog Modular V, followed by the Minimoog, CS-80, Prophet 5 and Jupiter-8 simulations. Arturia even attempted to create a virtual version of another legend of Tom Oberheim’s company, but they didn’t succeed…

It’s probably not necessary to present Oberheim, a mythical company that has had its successes and troubles after being bought by Gibson and Viscount. The SEM (Synthesizer Expander Module) was the first synth officially presented by its inventor in 1974. It was brought to life again in 2009 with a Patch Panel providing all 33 internal connections as mini-jacks and a Midi to CV Converter. These new features certainly gave customization ideas to Arturia: their virtual version also has many new features.

Introducing Arturia Oberheim SEM V

Arturia Oberheim SEM V

Arturia Oberheim SEM V

Test System:

  • MacPro Xeon 3.2 GHz
  • OS 10.6.8
  • Logic Pro 9.1.6
  • Arturia Oberheim SEM V 1.0, later 1.1

Out of curiosity, and because I always read that all Arturia synths sound similar, I compared the Minioog V and SEM waveforms (in this order) as well as a filter setting at 3,406Hz with maximum resonance (the release parameter settings are different but they have no effect on the sound in our example). Look at the screenshots and listen to the sound: No similarity…

Conclusion

Let’s be clear: I have no ’74 SEM in my studio. So a one-to-one comparison is impossible. I have only my memories of when I played the instrument and the many records where it is used… Therefor, it would make no sense to say this plug-in is an exact and faithful copy of the original. However, the virtual synth does share many things with the original synth: the features, the spirit, the typical Oberheim sound (soft filter clearly different from Roland and Moog filters). In short, don’t hesitate to add this tool to your synth library if you’re looking for SEM sound.

However, we also found a few problems: the envelopes/effects extend to the next preset, audible steps in some modulations. But considering the huge possibilities, the sound and the wonderful modulation section, we can only praise the quality of this synth. The ease-of-use, that doesn’t limit the sound possibilities, makes it the ideal tool to start in the world of sound synthesis.

Advantages: 
  • Same sound DNA as the original hardware synth
  • Design
  • Ease of use
  • Faithful to the original concept but more comprehensive
  • Modulation section
  • Amazing 8-Voice Programmer
  • Almost fully synced
  • Good product manual
  • Excellent Midi Learn function
Drawbacks:
  • Some bugs
  • Envelopes/effects extend to the next preset
  • Some audible modulation steps
  • Maybe the price, compared to similar products (DIVA for example)

To read the full detailed article with sound samples see:  Arturia Oberheim SEM V Review

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January 15, 2011

Winter NAMM 2011 Day 2 Highlights

And here are some video demo highlights from Day 2:

To see all news and videos visit: Winter NAMM 2011

August 27, 2008

Arturia Analog Factory Experience review

Filed under: Computer music reviews — Tags: , , , , , , , — audiofanzine @ 1:05 pm

Arturia has been showing more and more interest in software/hardware solutions, as can be seen with some of their top of the line projects, such as Origin. The editor also offers a more affordable solution with Analog Factory Experience (AFE), combining v2.0 of its Analog Factory and a keyboard controller made by CME. Let’s see what this tempting bundle has to offer…

What’s in the box?

Clavier

The first surprise when you lift the cardboard box is its weight: 3.7kg. Does this mean there’s a good keyboard inside? In any event, its metal case and solid wood-style sides make a nice impression in this all-plastic era. On one hand there’s the keyboard controller, on the other there’s v.2.0 of the Analog Factory, a Windows and Mac software program that compiles all the audio engines of Arturia’s former soft synths. The v.2.0 now offers 3500 presets grouped by style, synth model and other tags, while v.1.0 “only” has 2000 presets and doesn’t include the Jupiter-8.

The Arturia sound
Audio engine of each of the seven synths
3500 presets
Classification and fast access
Standalone and plug-in
Keyboard seems to be solidly built
Full-size keys with a nice touch
Controllers
Pedal inputs
USB or Midi
Low price

Some presets are too loud
Some clicks when changing presets
No direct monitoring of Key Parameter assigning
Pitch bend values are fixed in presets
Polyphony is fixed in presets
Some faulty connections (ADSR sliders)
No aftertouch
Lifespan of keys?
Some issues with other Arturia synths in standalone mode
Optional DC adapter
Multifunction Level knob

Read the full Arturia Analog Factory Experience review on Audiofanzine.

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