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January 16, 2010

[NAMM 2010] Taylor Baritone 8 Strings Acoustic Guitar

Filed under: Guitar reviews, NAMM 2010 — Tags: , , , , , , , , — audiofanzine @ 3:27 pm

Watch this and other videos/news from NAMM 2010 here.

October 14, 2009

Basics of Acoustics: Time (I)

Filed under: Instructional articles — Tags: , , , , , — audiofanzine @ 6:01 am

Time (1)

With stopwatch in hand, our perception of time seems straightforward. But in everyday life we’re not always watching the clock, and everyone knows that the passage of time is relative. It differs from one person to another and especially from one activity to another: An hour spent watching a great movie doesn’t feel as long as an hour in traffic.

SignalFig.1a : Sound signal with reverb. Note the progressive attenuation of the sound level

Scientists may conceive time in seconds, but most musicians feel it in a more fluctuating manner: either in the speeding up of a tempo or the slightly off-pitch note due to stress. In fact, pitch, which is defined by frequency, is a value linked to time and depends on our perception of a second. If it seems longer or shorter, the note can seem sharp or flat.

It’s said that during the middle ages, long before the invention of the metronome in 1816, a person’s pulse was used as the reference. It was therefore better to choose a musician who was calm.

Signal reverseFig.1b : The same signal, through a reverse effect Reverse : maximum gain is at the end of the signal

An Experiment

For those of you who can remember magnetic tape, a piano note played in reverse doesn’t sound at all like a piano, and a verse of Shakespeare in reverse sounds strangely like…Swedish. In fact, what our ears perceive as a single homogenous sound is really like a small train made up of four different cars: if we watch it as it moves forwards or backwards, the order of arrival won’t be the same and therefore our perception of the sound will be different.

It’s this idea that’s expressed through the notion of the A.D.S.R curve, also called envelope curve. A « reverse » preset found on some reverbs manipulates nothing but the reverb envelope. It will probably be a decreasing sound and look like figure 1. If it’s played in reverse, the end will therefore be played before the beginning (figure 1b).


The second case in which a musician-technician might find themselves confronted with having to manipulate an envelope generator: a compressor. A compressor usually has envelope adjustments that change the action time of the compression effect (fig. 5)

Depending on the gear, you’ll usually find an Attack adjustment, which corresponds to the time the compression kicks in once the signal reaches the limit of compression. By putting this setting on slow, the compression will be much more discrete and lets you assure a certain amount of compression without it being too sensitive (for classical music for example). But on the other hand, all sudden peaks corresponding to short attacks will escape treatment. A short Attack adjustment will allow the compressor to react instantly , but that typical compressed « punchy » sound will be heard. In today’s music this can be a desired and interesting effect, if used with moderation. You can also modify the Release which adjusts the time it takes the compressor to bring the level back to its initial level. As with the attack settings, a middle setting will be more discrete and will be more delicate in bringing the level back down. The opposite, a release set to zero can, if the compressor intervenes often, give a disagreeable wave effect.

Figure 5Fig 5a: Cubase’s standard compressor

Figure 5Fig 5b: TC Electronics TC CL1B plug-in which models a tube compressor

To read the full detailed article see:  Basics of Acoustics: Time

August 21, 2009

Yamaha – LLX-36C Acoustic Electric Guitar

Yamaha shows off a new acoustic-electric: the LLX 36C.

To see more exclusive video demos visit Audiofanzine Videos.

August 11, 2009

LAG Ukulele Acoustic Guitar

LAG presents their new and cute Ukulele acoustic guitar.

To see more exclusive video demos visit Audiofanzine Videos.

August 10, 2009

Martin – MC-18 Woody Mann Acoustic Guitar

Woody Mann talks about, and plays the heck out of the new Martin & Co MC-18 Woody Mann acoustic guitar at the Musikmesse 2009!

To see more exclusive video demos visit Audiofanzine Videos.

July 24, 2009

LAG Acoustic Guitar Custom Shop

LAG presents their custom shop model acoustic guitars made in their little shop in the south of France.

To see more exclusive video demos visit Audiofanzine Videos.

May 15, 2009

Boucher 12 String Acoustic Guitar

Boucher shows us a new 12 String Guitar acoustic guitar.

To see more exclusive video demos visit Audiofanzine Videos.

May 13, 2009

Yamaha NCX-2000FM & NTX-1200R Acoustic Guitars

Yamaha gives us an exclusive presentation of two new top of the line acoustic-electric Nylon String guitars, the NCX2000FM & NTX1200R. Don’t miss the nice classical guitar playing at the end!

To see more exclusive video demos visit Audiofanzine Videos.

April 17, 2009

Video Demo: Martin & Co 1-Series Acoustic Guitars

Martin & Co presents their new 1-Series.


For more Musikmesse videos visit Audiofanzine Musikmesse

March 31, 2009

Ovation MT37 Acoustic Electric Guitar

Exclusive overview of the Ovation MT37 guitar.


To watch all Audiofanzine video demos visit us on Audiofanzine Videos.

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