Hiwatt has launched its tube series, a full range of compact amps presented as offering the typical British sound of their legendary brothers in spite of their small dimensions and their more affordable price. You can currently choose between three different output powers: 40, 20 or 10 watts. Every amp is available as a combo or head. Let’s check out if their bet is successful by reviewing the T20 combo.
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From a technical standpoint, the T20 is based on a pair of EL84 power tubes plus two 12AX7 and one 12AU7 preamp tubes. The amp provides you with two channels (clean and overdrive) switchable via the dual footswitch provided (OD/clean and Reverb on/off). You can also select the active channel from the front panel, which also offers a gain control for each channel plus a master control (meaning there is no dedicated output level setting for each channel). The 3-band EQ is shared by both channels. Notice that the mid-band control is a push-pull potentiometer allowing you to shift the mid boost towards higher frequencies. This can be quite useful, for instance to have a slightly brighter sound when recording lead parts. The front panel also features a reverb level control and a couple of Standby and Power switches… and that’s it with the front panel! On the rear panel you have a connector for the dual footswitch (channel selection & reverb on/off), a line out (to feed a mixer or a power amp with the T20 preamp signal), and an 8-Ohm speaker out. This way, you have the possibility to use the T20 as an amp head feeding an external speaker cabinet. The 12″ speaker in the T20 is a Fane Medusa 150. Hiwatt has been using Fane speakers for almost 40 years…
As a summary, the T20 has all features of an amp conceived for recording applications, for playing at home, and for gigs in small clubs. I tried out the T20 with three different guitars: a Les Paul Custom, a Tom Anderson Strat and a Gretsch Billy Bo.
Now let’s take a closer look and a listen…
The T20 is a very good tool! You get the typical Hiwatt sound in a compact and easily transportable amp (only 35 lbs). Ideal for playing at home, small club gigs (unfortunately not in larger venues) and especially for recording applications… As a summary, this amp offers you an amazing and versatile clean channel and a (too) typical lead channel that you should consider as an extra. For about $625 (street price), it is the ideal choice for a first high-quality amp or for a professional musician who wants to add another sound to his tone palette. For about $100 less you can get the T20 amp head, and for about $200 more, the T40, which will allow you to play on larger stages while having the possibility of reducing the power to 20 watts via a simple switch on the front panel. Yeah!
The sound samples were recorded with a Shure SM57 in front of the speaker and a Brauner Phantom V as room mic (about 6 ft from the amp). Both mics were connected to a MOTU 896 audio interface. No audio processing was used on the recordings, except for a 120Hz low-cut filter on some distortion sounds.
The other AF samples were recorded with a Shure SM57 and a Sennheiser e906 in front of the speaker.
- Clean sound
- Legendary sound in a transportable format
- Right output level for recording applications
- Very peculiar distortion
- No FX loop (…is this actually a con?)
To read the full detailed article with sound samples see: Hiwatt T20 Review