AF’s Weblog

November 1, 2011

Native Instruments Transient Master Review

The Studio Effects Series by Native Instruments just got expanded with the Transient Master plug-in, which ought to be faithful to its inspiration made by SPL — the perfect occasion to try it out (in its software version).

Although the principles of controlling dynamics are easy to understand, dynamics processing is a field where the experience of the user is as important as the processor itself. Choosing compressors and similar tools for a setup or a mix can be a real pain because of the number of questions or problems that may arise.

When German manufacturer SPL launched the Transient Designer rack processor, many sound engineers in the music and movie industries (as well as many musicians) immediately saw it as the perfect solution to two very frequent problems: the attack (due to too soft or harsh transients) and the (too long or too short) sustain of a signal, especially for field recordings where you can’t control natural reverberations.

To achieve that, SPL and its senior engineer M. Tilgner (who would later leave the company to start elysia and develop other famous compression tools) envisioned a new analog technology based on VCAs and envelope generators, called Differential Envelope Technology, by cleverly and efficiently playing with addition or subtraction of both generators in order to boost or cut the attack and sustain. But we won’t dive deeper into details (you can find very clear explanations on the manufacturer’s website) because the most important thing is the result and the incredible simplicity of the user interface: two controls, Attack and Sustain.

Before launching its own plug-in range, SPL collaborated with Universal Audio to create a UAD-1 and UAD-2 version with an additional volume control. Many software manufacturers also presented their version of SPL’s classic tool, for instance Voxengo’s Transmodder, Waves’ Transmod, Sonnox’ Transmoder, DigitalFishPhones’ Dominion (free plug-in for PC and Mac OS9), and SSL’s Drumstrip (non-exhaustive list).

It’s now the turn for Native Instruments to present its own version, the Transient Master.

Introducing Transient Master

Test system

MacPro Xeon 3,2 GHz

OS 10.6.8

Logic Pro 9.1.5

Guitar Rig 5 Pro 5.0.2

Transient Master

UAD-SPL Transient Designer

As usual with Native Instruments, just download the Mac or PC version after buying it (see NI’s website), install and authorize via the Service Center with your serial number. After the installation, it was impossible to find the folder (usually added to Native Instruments’ directory) to read the (rather short) user’s manual. But you can download it from the product page on the manufacturer’s website.

You can use the plug-in within Guitar Rig Pro 5 or the free Guitar Rig 5 Player (the free version includes an amp and several effects), and you will find it in the Dynamics category. Drag and drop into the empty rack and it is immediately ready to use. However, before using it, check if the Noise Gate is active and if the stereo mode in the guitar amp / effect host is active (click the R button next to the input level indicator).

The user interface is extremely simple, like the original, but with an additional Gain control inherited from the UA version and two additional Smooth and Limit buttons. Limit avoids clipping caused by level boosts of one of the two processed signal components. Smooth is more original: the processing has a smoother curve specially designed for distortion guitar.

Now let’s take a closer look…

Conclusion

Maybe you think that using a compressor, an expander and a noise gate properly could replace the Transient Designer and its software emulations. This is not entirely wrong but this would be very difficult to do and the resulting quality wouldn’t be always worth the time invested doing it, especially regarding the complexity of following the envelope of the input signal. The plug-ins, as well as the original hardware processor, require that you turn only two controls…

Both plug-in versions —UA’s original version approved by SPL and NI’s Transient master— do a good job at what they are supposed to. And both have their drawbacks: UA’s plug-in with extreme sustain settings on some stereo files, and NI’s plug-in because of this noise-gate effect that is sometimes too present.

Perhaps your choice will depend on whether you already own an UAD-2 (or 1)… Guitar Rig 5 Player and its free components are certainly a plus, even if sometimes it would be more convenient to use the plug-in without Guitar Rig, just by inserting the plug-in into a channel strip, for example (because Guitar Rig’s GUI takes a lot of place on the screen). However, we appreciate the consistency of NI’s Studio Effects series, and we look forward to try out the Solid Mix series inspired by a famous British brand.

Advantages:

  • Sound
  • Integration in a coherent environment
  • Rather subtle Smooth function
  • Integrated limiter
  • Reasonable price
  • Free Guitar Rig 5 Player

Drawbacks:

  • Pretty obvious “noise-gate effect”
  • Too subtle Smooth function?
  • Watch out for the damages the limiter can cause

To read the full detailed article see:  NI Transient Master Review

Advertisements

Leave a Comment »

No comments yet.

RSS feed for comments on this post. TrackBack URI

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s

Create a free website or blog at WordPress.com.

%d bloggers like this: