If Ikutaro Kakehashi named his company with this typical European name, it wasn’t to honor the famous traditional song of heroic deeds. Since its inception the company has been committed to export, and the first goal of its founder was to find a name that was easy to spell and original enough to attract attention.
Ikutaro Kakehashi chose a brand name beginning with an “R,” which is quite rare in the music industry and thus allowed the products of the manufacturer to distinguish themselves from competitors during international trade shows.
We all know the company for its electronic products: synths, drum machines, effects (under the name Roland as well as under the brand name Boss for guitar effects), electronic drums, and other MIDI gear. But I know only a few bass players who play a Roland amp. This doesn’t mean that Roland amps don’t perform good, but we must admit that the manufacturer doesn’t belong to the most renowned brands among four-string players. With the present review, we want you to discover the Roland Cube 120 XL bass combo that saw the light of day after the introduction of the guitar version.
It Was the Year That…
13 demonstrators were shot during the Irish Bloody Sunday while 16 men survived the crash of their plane in the Andes where they had to eat human flesh until rescuers arrived. In 1972, bass players Christian Mac Bride, Mike Dirnt and Mark Hoppus were born. And in Japan, two major events marked the year: on a national level, Okinawa finally returned to Japanese hands; while, on the musical level, the company Roland was created. I would love to write about Roland’s history and share with you some delightful anecdotes about it. But with its 12 controls, 9 switches and 8 connections, this small Cube gives me enough material to write two reviews.
So, I won’t lose any more time and I’ll start by describing the amp.
A Cube? Not Exactly…
In school they taught me that a cube is a volume made of square sides. It doesn’t really add up in this case…! The actual dimensions of the amp are: 20.5″ (length), 18″ (width) and 12.5″ (depth). I know, I quibble a little bit, but that’s what is expected from me.
If the Rubik Cube had had uneven dimensions, users would have called it misleading publicity a long time ago. I hope this brief remark made it more enjoyable to read about the Cube’s physical dimensions… And let me add another figure: the amp weights almost 44 lbs, which is not so heavy considering the output power of 80 watts, but also surprising considering the dimensions. In this respect, I guess the first request of the normal user would be for Roland to add casters to the amp. The younger and more athletic readers will surely laugh, but my back doesn’t. It’s old and has had plenty to withstand already. The single handle is also not the best solution, maybe Roland should rethink the design to improve the ergonomics.
If the amp won’t move a lot and will stay in the studio, this is certainly an insignificant detail. However, it’s better to be safe than sorry, especially when it comes to my lumbar vertebra. Just try to play three gigs with a 5-string bass and an aching back and you’ll become as demanding as me! I know those of you familiar with osteopathy will agree with me. But let’s go on (don’t let my digressions distract you), and talk about the finish. Even if there’s not much to say.
Although it doesn’t look really nice, the CB120XL has the advantage of being simple and rugged. No carpet covering but a simple black Tolex one, reliable protection edges (where shocks can have bad consequences) and a strong protection grill. Finally, the combo is equipped with a 12″ woofer and huge coaxial tweeter horn. Two front bass reflex ports allow the air moved by the woofer to circulate. The product is made in China. By the way, did you know that China and Japan restored diplomatic relations exactly the year Roland was founded?
Now let’s take a closer look…
A tester must know how to put things in perspective instead of reviewing a product only from his point of view as an experienced musician. If I put myself in the shoes of a young bassist having only a fistful of dollars in the pocket looking for a first rehearsal amp that offers versatility and some effects, I think I would seriously consider the Roland Cube. For $736, this amp is very appealing.
Used without an additional speaker, the small combo provides enough output power to play in a band with a drummer. The tone is good, not kicking but good enough to make your first steps with a band. Personally, I find the effects are dispensable. But if I put things in perspective, once again, I guess they can be useful for some beginners interested in effects. And I cannot reproach the manufacturer for making use of its knowhow by adding many electronic features, even if it’s a bit useless from where I stand. Moreover, this trend is noticeable on many similar products… So Roland also has to appeal to these young musicians who like new technology!
Note that Roland’s catalog, which includes only combo amps, also features two smaller versions: a 20-watt amp and a battery-operated amp with four 4″ speakers. I would like to invite you to read my next bass amplification review with a colorful brand that’s following a completely opposite direction.
- Price, even though a bit high still affordable
- Integrated tuner
- Nice sampler
- Compact size but enough output power to play in a band
- Good sound
- Good finish
- Not really ergonomic (only one handle in spite of its heavy weight)
- Maybe too many effects with not enough editable parameters
- Looks like a copy of the available guitar combo version