AF’s Weblog

November 23, 2010

RME FireFace UFX Review

Six years after the FireFace 800, RME hits the external audio interface market again with a new flagship product: the FireFace UFX, which doesn’t really replace its big brother — it outright and blatantly outclasses it. Focus on what could be the ultimate interface.

We have been waiting a long time for a new product that would replace the famous FireFace 800 — a best-seller and a standard among digital audio interfaces. We were surprised to discover a new FireFace that isn’t meant to replace the 800 but to extend the top range of RME products. Yes, the UFX beats the old good FireFace 800 in every respect, but it is also much more expensive. So, what’s new? Let’s have a closer look…

RME FireFace UFX

The interface won’t look that unfamiliar when you unpack it: the FireFace UFX is a 1U rack with exactly the same dimensions as the FireFace 800. It has the classic RME look: blue, gray and metal. It looks serious but we’ve seen sexier things! However, there is no doubt that this is a FireFace…

However, taking a closer look you will notice that the interface is very different from its big brother — both at the software and hardware levels. Let’s start with the hardware.

Nice Looks, Nice Display

RME FireFace UFX

The front panel is equipped with four Neutrik combo connectors for XLR and 1/4″ jacks. You can feed the inputs with a mic, line or instrument (guitar, bass, etc.) signal. Each of the four analog inputs has three LEDs to indicate when a signal is present, the 48-V phantom power for condenser mics is on and the 1/4″ jack is selected. We’ll explain further on how to use these features.

On the right hand, you’ll find the two fully independent, in terms of volume settings and source selection, headphone outputs (9/10 and 11/12). In other words, each headphone gets its own mix.

RME FireFace UFX

You’ll also find standard MIDI ins/outs in the form of 5-pin DIN connectors, plus a mysterious host type USB port. A quick look in the documentation revealed that this port has currently no function, but the manufacturer promises that it will allow the user to connect a USB key or a hard drive in the future (with a firmware upgrade?). The FireFace UFX will then become a standalone direct-to-disk recording system giving you the possibility to record and read audio files directly from the USB storage device. Nice! The manufacturer promises to free you completely from your computer, which will surely appeal to nomad sound engineers. To be followed very closely!

In the middle of the front panel, a 10-segment LED bar allows the user to monitor the sync (WordClock, AES or ADAT), the MIDI transfer and the status of the USB and FireWire connections. Yes, you read that right: the interface offers USB and FireWire operation — a milestone in RME history.

RME FireFace UFX

Let’s close this front panel overview with the most important thing: the brand new multifunction color display which has a pretty good definition. Besides the VU-meters for all (analog and digital) inputs, it also gives you access to all channel parameters, mic in level settings, headphones and master out level settings, the interface’s setup, and even internal FX settings (reverb, echo, etc.). The three rotary encoders and the four buttons next to the display allow you to easily browse the menus and access almost all parameters without having to look at your computer screen. This looks very promising when you think about the future USB direct-to-disc facility…

The display’s resolution makes it possible to show lots of information and it makes browsing easy. We just regret that there is only one control to set the level of the main out and the two headphones outputs. Separate controls for the phones outs would have been better, especially when a mistake could lead to very loud signals in the headphones and you wanted to lower the volume quickly…

No cons otherwise. Hats off RME!

Now, let’s take a look at the rear connections…

Conclusion

RME decided to bring out the full artillery with its new digital audio USB and FireWire interface. The UFX is so comprehensive that it’s difficult to find drawbacks: very comprehensive connections, up to 60 channels, color display with good definition, USB and FireWire support, almost perfect TotalMix FX software, insert effects (compressor, EQ…), send effects (reverb, echo) and an upcoming function that will allow you to record and play audio data directly on and from a USB key or hard drive! The audio quality is guaranteed with the high-class preamps and converters. On the other hand, we miss dedicated controls to adjust the headphones volume, a more comprehensive remote control, and a more friendly price. Anyway, the new reference has arrived and its name is FireFace UFX.

Advantages:

  • Quality of the preamps and converters
  • 60 channels!
  • Comprehensive connections
  • Convenient and accurate color display
  • USB and FireWire support
  • Very short latency
  • Good stability with our computer
  • Good-quality internal processing and effects
  • Very comprehensive TotalMix FX software
  • Future direct-to-disk capability

Drawbacks:

  • Headphones and main outs share the same volume control
  • Limited (and only optional) remote control
  • Price tag: over $2000

To read the full detailed review with sound samples see:  RME Fireface UFX Review

1 Comment »

  1. Thanks for posting this. I certainly hope to get one of these next year!

    Comment by alienintheheights — December 24, 2010 @ 6:11 pm


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