With its 11 rhythm effects, multi-band frequency mix crossfader, RJ45 port to connect CD players, four-channel stereo sound card, and 5.8″ color touchscreen, the new Pioneer DJM2000 mixer is very appealing. And we obviously wanted to find out what it hidden under the hood. Let’s go!
I put on my prettiest sneakers, grab my good old CDJ-100 CD players (yes, I know, they are not as nice as the CDJ-2000…), a small Shure mic, my MacBook, a pair of headphones, a Sennheiser mic, and a fat RCF sound system to shake the ground under my feet. I am now ready to welcome the new Pioneer jewel… The picture on the box doesn’t look very attractive, but as soon as you open the box, you know that you have a serious mixer in your hands: 18.7 lbs of technology in a rather big housing (15.7″ x 16.9″). The package also includes 28 pages of operating instructions (the bare minimum, considering the device), a CD-ROM with PC and Mac drivers for the sound card, the power cable, a USB cable, and four rather unusual RJ45 Cat5e cables for DJ equipment. We will come back to this later…
It doesn’t include any software, but on Pioneer’s website you can download Rekordbox for free — like I did. Installation was a breeze with my Mac Book Pro but the software was quite useless for this review: it cannot read more than one channel simultaneously and it is quite limited if you have no CDJ-2000/900.
Pioneer tried to pack as many technological innovations as possible into this new high-grade mixer. Some of them have been inherited from other products. With this mixer, Pioneer successfully implemented into a hardware product some unique features that you usually find only in computer software. The mixer is very well manufactured. It has a very nice and professional finish, pursuing the spirit of previous Pioneer products, especially through the classic level meters with peak indicators. Almost every button is backlit, some of them flash to show their status while others have different lighting intensity. We just miss the possibility to adjust their brightness more precisely.
You obviously have a headphones output to monitor all channels and effects, a mic input with a two-band EQ and talk-over (that attenuates the level of the master signal when the mic level increases), and a master zone with stereo meter that allows you to adjust the output volume and balance. We won’t spend much time describing these features since they are quite standard on mixers in this range.
Instead, we’ll focus on the four channels and their multi-inputs, the great crossfaders, numerous effects, and the sound card that make this mixer one of the most versatile in its category.
The four channels are placed to the sides of the center LCD. You can use the outer channels (1 & 4) to connect your turntables and the inner channels (2 & 3) for your favorite analog players. Each channel features an S/PDIF input and another digital input through the internal USB sound card.
Each channel has exactly the same features:
- A trim control to adjust the input level
- An almost standard three-band EQ with an “isolator” mode, which allows you to extend the range of the rotary controls to be able to cut the respective frequency band up to -40 dB instead of -26 dB. Thus, if you turn all three controls fully counterclockwise, you won’t hear anything anymore.
- A “filter” control that allows you to adjust the level of the INST FX for the channel.
- A CUE button dedicated to the pre-listen function in your headphones.
- A fader to adjust the channel volume. You can choose the fader curve to be either linear or logarithmic. Perhaps I’m wrong, but it doesn’t seem possible to change the faders, in spite of the three visible screws (there is no information about this in the operating instructions).
- A convenient selector that allows you to freely assign the channel to one side of the crossfader (see crossfaders section below).
- A 15-segment level meter with peak detection.
Now let’s take a closer look…
Let’s be clear: this is a great piece of gear! Well thought-out, nicely finished and with a great sound, it offers countless possibilities to allow the most demanding DJ’s to have endless fun. This definitively high-grade mixer was conceived by Pioneer to work with several CDJ-2000 or CDJ-900. If you want to get the most out of it, you’ll have to buy them as well.
And this results in the biggest problem for most of us: the basic setup (DJM-2000 + two CDJ-900) would amount to about $5,100… it’s hardly what you’d call cheap! With this product, Pioneer targets night clubs with big budgets who want to offer the best to their DJ’s. The latter will have the possibility to prepare their sets before performing, and to come to the club with only a CD or a USB key — no need for a computer.
- Finish and sturdiness
- Sound quality
- Number of ins/outs
- Integrated eight-output sound card (four stereo outs)
- Seven crossfaders per frequency band via touchscreen
- Real-time, BPM-synced effects and sidechain remix.
- Price (about $2,500)
- BPM counter works too slowly and not precisely enough
- Only one BPM counter
- Not Traktor ready
To read the full detailed article see: Pioneer DJM-2000 Review