After having repositioned Alesis on the market, Numark seems to have entrusted Akai with the fate of the synth/drum machine product range. The Miniak is the first Akai synth “in the modern era”.
Late after the extinction of analog dinosaurs, musicians started to rediscover and revere these fat monsters. Manufacturers, which were developing preset-based digital workstations, decided to digitally model the behavior of analog circuitries. The last step was to conceive ergonomic user interfaces that included direct controls for a more authentic playing feel (to make the illusion more real, say analog fundamentalists). Very few manufacturers started to develop real programmable, polyphonic analog synths… One of the exceptions was Alesis who, against all odds, launched ten years ago the most powerful analog synth in history: Andromeda. This was a masterly achievement but also their deathblow: Numark bought the manufacturer in 2001, drastically reduced the Andromeda market price and launched a very successful range of analog modeling synths.
In 2003, the Ion provided eight voices of pure happiness with three powerful oscillators, two full-featured filters and a front panel fully packed with control elements. More affordable versions came out pretty fast: born in 2004, the Micron used the same sound synthesis as the Ion and even added effects to the rig, but it was hosted in a compact housing with reduced space for controls — not very ergonomic. Numark bought Akai Professional the same year and immediately redeployed the MPC product range. Now, they have introduced the Miniak: a Micron synth repacked under the Akai brand. So, the key question is: do they need cash and have relied on a tried and tested technology already amortized, or is it a strategic move to try to reposition the two brands? Anyway, people under 20 will think the Miniak is the first Akai analog synth. With a bit of luck, the rest of us might remember that their first analog synth was the AX80. In 1985!
Repacking means getting a new outfit. With its strong black PVC housing mounted on a rugged metal bottom side, the Miniak is no exception to the rule. The unit is manufactured in Taiwan and has a remarkable construction quality. The impression of sturdiness is reinforced by the weight of the unit: 11 lb. are quite a lot for such a compact device. It’s actually a big difference in comparison to the Micron’s aluminum lightness! The finish is perfect, be it the silkscreen or the encoders that use a metal axis screwed on the housing for a longer life. The three XYZ encoders are absolute encoders: they can be assigned to sound synthesis parameters and they have 12-bit resolution, which translates into 4,096 possible values. The fourth encoder is labeled Data. This incremental control with push function allows you to switch between menus and parameter edition.
Besides the play mode, sequence triggering and volume controls, you’ll find three quality wheels (pitch plus two freely assignable modulation wheels) that light up orange. The 37 half-weighted keys are velocity and aftertouch but not pressure sensitive. The response of these standard sized keys is quite good and make playing easier. There is an XLR input for dynamic microphones, like the gooseneck mic included. All other connections — firmly screwed on the housing — are on the rear panel: a socket for the external power supply, power on/off switch, stereo inputs and outputs on balanced TRS connectors, phones out, two footswitch inputs, MIDI in/out/thru, and a connector for a notebook-type anti-theft device. Just like on the Micron, we miss a USB port on this synth…
Getting started is pretty straightforward: just look at the silkscreen and push, simultaneously, the “program” button and a key to select a bank; then simply browse the programs with the incremental knob. Now, you can play the keyboard, trigger rhythm patterns and arpeggios, depending on the note you play; adjust the tempo with the “Tap tempo” button; and edit three sound parameters using the assignable XYZ encoders or the three wheels. Dedicated buttons allow you to transpose the keyboard up to three octaves up and down, considering that the Miniak can handle all 128 MIDI notes. It’s ideal for live performances!
On the other hand, editing possibilities are very frustrating because, excluding the three assignable encoders, all other settings must be made via menu pages. Once again, push the “Programs” button and a key to access the section you wish to edit (oscillators, pre-mix, filters, outputs, envelopes, etc.). Afterwards, you’ll have to browse the menu pages using the “Data” selector: push it to edit a parameter and push it again to toggle back to navigation mode… Considering the large number of editable parameters, you’ll beg for a dedicated editor. But it’s no use: Akai doesn’t provide anything! However, you’ll find a VST/standalone editor for Windows from HyperSynth: http://www.hypersynth.com/miniak-editor.html (which we haven’t tried out). By the way, we would also like to criticize something else: the backlit LCD display has only 2×16 digits and is much too small to manage the countless parameters. It is hardly readable in spite of its adjustable contrast (blue characters on blue background) and it is too recessed into the panel (the readability decreases when you don’t stand directly above the display).
Now let’s dig into the sound!….
Born to Run
Finally, the Miniak is a very compact, rugged and clever instrument that produces vintage synth emulations as well as modern techno sounds. Compared with the Micron, the biggest change is only aesthetic. However, the Miniak does bring some improvements in the control layout, which enhances operation. The Miniak is a stage monster conceived to be transported all over the world to play live on stage. On the other hand, it is not so powerful for direct editing. That’s the other side of the coin: with such a small size and price, it offers a very limited number of direct controls. This is when we start dreaming about a Maxiak fully packed with knobs and buttons!
- Sound quality and versatility
- Powerful sound synthesis
- Control resolution
- Construction quality
- Compact and easily transportable
- Integrated effects
- Included gooseneck mic
- Pattern generator
- Real dynamic keyboard
- Complex direct editing
- No USB port
- No dedicated editor
- Vocoder’s intelligibility
To read the full (this is just the beginning) detailed article with sound samples see: Akai Miniak Review