The Audio & Musical Gear that Made the Show
With the hundreds of new products revealed and displayed last week at NAMM 2010, it is quite a battle for manufacturers fighting for attention space in the minds of consumers and partners. It is always a challenge, and everyone of course has their favorite category, brand or particular gear need that directs their attention to this booth or that piece of hot news. It is also extremely difficult to say hands down- this is the most innovative product to come out because invariable each product can only fairly compete within its own category. Furthermore, like I said innovation is the outcome of a particular unfulfilled need, and not everyone will share this need. Some products at the end are not groundbreaking but are just ‘cool’. And that’s cool too.
Hence, without further ado, the editors of Audiofanzine present to you the Top 11 picks from NAMM 2010, in no particular order- as the products present a mixture of categories that cannot be compared.
1. Teenage Engineering OP-1:
It may look like a Japanese toy, but the OP-1 is the all-in-one portable Synthesizer, Sampler and Controller. With additional features like the FM Radio and a G-Force sensor for pitch and bend effects. Beside a creative approach to sequencing with multiple choice of sequencers, it also has a built-in Tape feature. Check out all juicy details on Teenage Engineering . This one is a keeper.
2. Pearl E-Kit:
What makes the E-Pro Live drumset truly different from other electronic drumsets, the company says, is the “real feel and response from the pads”. Pearl’s Tru-Trac Electronic Heads feature dual-zones that reproduce all of the intricacies the drummer is used to hearing when playing an acoustic drum. The smooth coating on the heads makes moving from drum to drum fast and easy, Pearl says. And of course, let’s not forget the obvious: the real sizes of the drums. The set features 10″, 12″ and 14″ toms, a 14″ snare drum, and a 20″ bass drum. Say goodbye to 8″ practice pads.
3. Taylor Baritone 8 Strings:
Taylor decided to add 2 octave strings to each of the A and D strings. The resulting 8-string baritone GS complements the baritone’s lower tonal range, adding a touch of upper-octave brightness without too much 12-string jangle. The result is a guitar with great tonal range, perfect for walking basslines and rich melodies. How does it sound? Simply divine.
Want to see the rest of the list? Visit us here: NAMM Top 11