- Yamaha Tyros 3 product review
Perpetuating the Tyros line for the third time, Yamaha presents a new, high-technology arranger keyboard that provides a rarely achieved musicality.
Some time ago, arranger keyboards were the “poor cousins” of the music industry. Those gadgets became educational tools for children and then for adults looking for strong musical sensations. Today, they are powerful production workstations with a large ROM, sample memories, DTD, USB port, etc. Some manufacturers equip them with technologies developed originally for their workstations, which results in the latter being not so predominant anymore. The Korg PA2X, for example, includes a real Triton/M3-like synth. Ketron’s Audia is a comprehensive audio loop machine with real-time pitch shifting and time stretching functions. The Tyros 3 is not fancy and Yamaha decided to improve every possible function of the original concept: sound realism, harmonization, FX processor and user interface.
A look under the hood
Like its predecessors, the Tyros 3 is fitted inside a PVC housing with gray aluminum finish on the top and black finish on the bottom. Considering its price range, I would have preferred a brushed aluminum housing that made it look more classy without adding much weight. Even if it is not made for that, do consider getting a carry case because the part underneath the keys tends to bend if you push on it. The manufacturer offers a very nice-looking one with the “Tyros 3” logo embroidered on it. The FSX keyboard has 61 velocity and pressure-sensitive keys. It’s the best light keyboard we have ever tested: straight response, perfect balance and full control. This keyboard is even better than the famous Yamaha model on the DX7, Korg Trinity and Triton… Yamaha has been constantly improving the layout of the different control sections since the first Tyros came out. This time around the layout seems perfectly thought-out. On the left side you will find everything regarding styles and sequences: in the lower part is the style control (intros, variations, breaks, endings, accompaniment modes, tempo, pads, etc.), in the middle part are the style selection buttons sorted by category, and in the upper part the sequencer controls. You can also find the mic section here: settings, vocal harmonies, etc.
Right at the center of the device is the big 7.5″ VGA display (640×480 dots). Its active color matrix provides a strong luminosity and an excellent definition. The display is adjustable (but not motorized–as if someone cared). It is surrounded by buttons for selecting sounds and styles, navigating within the different menu pages and direct editing of parameters. It’s nice and does its job pretty well. The fact that it’s not touch screen is not a problem at all, on the contrary that will help you keep it cleaner. Below the display, you’ll find eight pairs of function buttons (to edit values in the menu pages) and nine very-much-appreciated sliders that not only allow you to edit faster with the integrated mixer (more on this later), but are crucial for the modeled drawbar organ presets. As soon as you select one of these presets, the display shows a graphic representation of some Hammond B3-like drawbars, that you can control with the sliders in real-time for live applications. This is a great improvement on the older models and we celebrate it.
Last but not least: the right side of the device is dedicated to sound presets. In the lower part you can control the snapshots, the OTS registrations (more on this later), the main L/R channels and the select/mute functions of the different channels. In the middle, you’ll find the preset selection buttons sorted by category. The upper part is dedicated to the different effect sections of the presets. And you also have here the direct-to-disc section (more on this later) and the system menus.
The Tyros 3 is the result of top-quality improvements that started years ago. It has been a long way since the first version of the product. Its indisputable musicality is the instrument’s most outstanding quality–leaving the competition far behind, especially when it come to the new SA2 sounds and their unique expressiveness. The styles also gained more sound realism thanks to the new drum samples and the generous FX section. The 61-note keyboard has an exceptional quality but unfortunately there’s no 88-key version available. In spite of its impressive number of settings, the Tyros 3 is highly ergonomic and easy to use, making it the ideal solution for professional stage applications. People who like to mess around with sounds and styles will not be disappointed either, and the Tyros 3 is also a nice studio tool. However, we regret that the sound synthesis was “outsourced” to a software (considering the size of the display), and that the sequencer is based around the arranger. The all-plastic assembly and the few accessories provided are also disappointing, considering the price of the product. But our overall impression is very positive. When you start one of the styles of the Tyros 3, you can’t help putting your fingers on the keyboard and start beating the floor with your foot… it’s easy to be inspired!
- Supreme sound
- Accompaniments’ quality
- Excellent keyboard manufacturing
- Comprehensive connectivity
- Drawbar organs modeling
- Number of powerful multi-effects
- Highly ergonomic user interface
- Direct-to-Disc function
- Sound editor for PC/Mac
- Wave samples import
- Plastic construction
- Limited direct editing
- Arranger-based sequencer
- Few accessories included
- Commercialism at its best (or worst)
To read the full detailed article see: Yamaha Tyros 3 Review